"The response to 40 Days of Dating was overwhelming, and it made a huge impact on my work since," Walsh says. They did, in fact, become a couple for 40 days, generating a much-trafficked blog, TV appearances and a book deal. Never shy about quirky self-promotion, Walsh has become known beyond creative circles for efforts such as 40 Days of Dating, a 2013 social experiment with designer friend Tim Goodman. "This type of work will be central to our agency and we have big plans to grow them," she says. That means investing more into projects such as Ladies, Wine & Design-her global nonprofit that brings women in creative fields together for networking-and Let's Talk About Mental Health, which harnesses design to spark conversations around issues that typically have a stigma around them. "We work with brands in early stages, advising on products, identifying audiences and helping to shape the brand from the ground up."Īlong with client work, she wants &Walsh to use design and creativity for social impact. "In the last few years, we've moved beyond design and art direction into deeper strategy and brand development work," Walsh says. She sidesteps sameness, amplifying each client's unique voice. Walsh's work demands attention, but never loses its sense of fun. Rarely subtle (even the type-heavy Thief & Heist campaign really pops), she's become renowned for a style that's bold and playful at the same time. Moving ahead, Walsh seeks to expand her base and build on efforts for clients such as apparel brand Milly … With 25 employees-mainly from S&W-and clients such as Apple, Beats by Dre and Snapchat, &Walsh becomes one of the very few women-owned creative shops in the industry. She'll still collaborate with Stefan Sagmeister under the Sagmeister & Walsh banner when opportunities arise, but he's not part of the new company. Last week, after seven years as a partner in Sagmeister & Walsh, she made that dream come true, launching &Walsh, a wholly owned agency operating out of her previous company's space in New York's Flat Iron district. What's more: "It was always my dream to have a studio that was entirely my own." I also wanted to have control over my future, like where I live, when I can have kids, and major decisions around how to run the business." "As I got older, I realized there were other motives outside of passing down my knowledge and putting beautiful work into the world. "Being able to pass down my knowledge was something I always strived to do on a larger scale one day," she says. Long before gaining fame as a graphic designer, Jessica Walsh was determined to tackle challenges on her own terms and share what she'd learned.įor example, in her teens, Walsh created a website to teach other young people how to code and make sites of their own.
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